A “young girl” would be a “child,” And multiple young girls would be children. 🤨

I’m not really surprised. Nintendo tends to run on its own schedule. They also might be hoping the yen strengthens so it won’t cost them as much to produce new consoles. Knowing Nintendo, they’ll want to have enough in stock to not have supply problems like Sony did with the PS5.

Orrrr it was a mid game with almost no marketing.

An autocorrect typo.

IIRC, though, that wasn’t Sony’s decision - WB yanked the licenses because they wanted those shows to only be on their streaming platform.

So it’s just irony that Sony is doing the same thing now.

You know what say: if buying isn’t owning then pirating isn’t stealing.

I’ve yet to see a single PS person excited about getting Starfield. At most, they’re like, “Oh, that’s nice,” and go back to doing other things.

The irony of using ChatGPT for this of all articles.

I think they just forgot to capitalize the A. Whoops.

That requires someone in business to think beyond the next quarter’s profits.

I’ve posted things on sexism in STEM before, so I can say: no, it is not. I almost didn’t post this precisely because of how bad the comments were to those posts. Hope foolishly sprung eternal.

Facebook is probably as close as we’ll get to a western “everything app.” They kind of missed the window, though, which is another thing Elon doesn’t seem to realize - the big eastern “everything apps” were there as people were starting to switch to doing things on their phones, so the ecosystems grew around them as things were developing (especially WeChat). Elon’s coming in trying to turn Twitter into an everything app nearly ten years too late.

The big difference between Twitter and all those other apps, as someone who has used both KakaoTalk and Line, is that they didn’t start out as social media posting apps - they were just chat messaging apps for talking to your friends, not the world. Then they added payment for things like buying stamps or sending friends money. From there, once they had established payment methods and users that trusted them, they started slowly adding services people thought were useful. The ecosystems built up organically over time. No one planned for them to be everything apps or tried to force it on the apps and users. They became those because they adapted to how people were using the internet on their phones.

Thing is, it probably won’t. MySpace is still around. LiveJournal is still around. Big social media platforms don’t tend to stop existing. But they do stop being culturally and socially relevant, and that’s what I hope comes sooner rather than later to Twitter: irrelevancy.

Well, there are thirteen different types of EDS (most of them are REALLY rare, though), based on which connective tissue they impact the most. The most common are hypermobile, classical, and vascular. I have the hypermobile type, which mostly impacts joints. Classical EDS can have skin issues, and vascular is the type where it can cause your blood vessels to rip open inside of you. hEDS is the least likely to kill you, but most likely to negative impact your quality of life.

https://www.nhs.uk/conditions/ehlers-danlos-syndromes/

Yeah, I’ve got EDS, and gaming is one of the few things I can do and not risk being too much in pain (I do have to watch out for my fingers spraining and dislocating, though). Days when I can’t walk very well, I can still sit down and play a game.

I was able to buy it the day it came out on Steam, even though there was no official Japanese release yet, and it wasn’t censored.

Steam isn’t as friendly for having multiple accounts as the PS store, though. I have a US account and a Japanese account on PlayStation, so I could get games that didn’t release over here or where they were censored here like BG5 through the US account. Steam won’t let you just create another account in another country, seems like. Which is annoying.

Having an ensemble cast means the writers maybe don’t have to worry too much about any particular character being hit or miss, those misses are allowances, not targets.

I don’t think the writer is talking about having characters people don’t like as what the game writers spoiled be aiming for, but that from the point of view as a player, if there’s a character you just to not like, it means the game is written well. Which to me makes sense, because you don’t care one way or the other about a character that’s not written well. For you to actually dislike a character, they’ve got to be well written because they feel like a person.

“Bad” does have inherent value because one person’s “bad” Is another person’s “awesome.”

I think Gale is “bad” as she’s defining it because he’s boring and his squishy ass kept getting curb-stomped when I tried to use him. I also hate the way he tries to romance you and the incel vibes I got of him. But go on tumblr and folks just adore him and his romance. What makes him “bad” to me is a selling point to others. That’s what I think the writer is trying to say.

They have varied characters because different people like different things.

That’s what the writer is saying, though? She’s saying it’s good for games to have characters some people consider “bad,” because what’s “bad” Is different for everyone. It means a game has a well-rounded cast of characters.